Thursday, March 29
One of the biggest parties of the year. With music from The Seatbelts and The Secrets, starting after the game!
Thursday, March 29
One of the biggest parties of the year. With music from The Seatbelts and The Secrets, starting after the game!
Saturday, March 24 / 7pm doors / $10
We’ve united bands of different styles of punk rock from the far corners of the scene to bring you Detroit Anarchy…
This Lineup is 100% Made-In-Detroit Punk Rock!
The in your face raw power rock of Screw
Featuring two members of seminal Detroit punk band Feisty Cadavers: The Goddamnits
The 90s Van’s Warped-style Matt Wixson’s Flying Circus
In addition to the all out musical assault happening all night at PJ’s Lager House, there will be vendors and artists present to show and sell their wares ranging from guitar string/pick jewelry to henna tattoos to music memorabilia! We’ll even have a punk rock tarot reader in the house!
LINK FOR DISCOUNT PRESALE TICKETS: https://www.ticketfly.com/
Friday, March 23 / 8pm doors, 9pm music / $8
Sarah Borges (Rock and roll)
Sarah Borges: To watch Sarah Borges strut and howl onstage is to participate in rock n roll communion, all glistening sweat and high kicks, soul-shaking and sassy antics. She’s a modern-day retro spitfire, red lipstick curled in a smirk as she summons her six-string to conjure a host of fiery spirits, leaving a stunned and ecstatic audience in her wake.
This same raucous energy shoots through her fourth studio album, Radio Sweetheart, which is a statement of Borges future as much as it is a reflection of her past. Funded entirely by fans, the new album is a sea change marking a split from both Sugar Hill Records (the label that released her two most recent albums) and her longtime band the Broken Singles, all set in motion by a road weariness bred from six years of constant touring and the home-is-where-the-heart-is lure of brand new motherhood.
Nesting in with her husband and infant son, Borges wrote from a fresh perspective, composing in relative solitude in contrast to those years spent on the road. Alone with guitar and pen, Borges unearthed demos written in her teens and fell back under the sonic spell of the Boston-bred indie rock luminariesMorphine, Juliana Hatfieldthat marked her musical coming-of-age in the 90s.
To realize this musical shift, Borges turned to Steve Berlin, an admirer and longtime member of Los Lobos, to produce the new album. Recorded in a week at Bostons Woolly Mammoth studio, Radio Sweetheart is nine originals (plus a cover of Lloyd Prices Heavy Dreams) all imbued with lessons learned from a decade of rock and roll, countless miles spent on the road, and the range of emotions surrounding the dissolution of a band and the growth of a family.
In essence, the new album is just another step in the continual evolution of Sarah Borges. Like most kids, she grew up surrounded by her parents record collection, a mix of Bob Dylan and classic rock, Joni Mitchell and Gene Autry, which she supplemented with her self-proclaimed drama geek affectation for Rodgers and Hammerstein and the guitar- and fuzz-driven spoils of 90s alt rock.
Borges played in her own fledgling indie rock bands in her teens and early 20s before taking a detour into the newly emerging genre of Americana. I felt like I had spent all of this time trying to couch everything in metaphor, and when I started writing Americana songs I could finally say it plain.
Those years spent playing in black box rock clubs and rented VFW halls informed Borges’s style, and she soon found a believer in producer Paul Q. Kolderie (Hole, Radiohead, Uncle Tupelo), who offered to record some demos, which in turn drew the attention of Texas’s Blue Corn Music at the annual South by Southwest music festival. The label released her debut full-length Silver City in 2005, which launched her onto the Americana world’s radar, kicking off a whirlwind of touring where Borges and her band opened for greats like Dave Alvin and Alejandro Escovedo.
Borges’ second outing, Diamonds in the Dark, was released on indie label Sugar Hill in 2007, yet another deal garnered on the merits of a South by Southwest performance. With Kolderie once again at the production helm and her touring bandthe Broken Singlesjumping back into the fray, the resulting album again earned Borges a wide array of critical acclaim.
It was around this time that Borges began to resurrect those rock n roll roots you hear on Radio Sweetheartfirst in her live show, which more often than not found her straddling her guitar atop a table or surrounded by half the audience on stage, and then on her following album, The Stars Are Out, which was released in 2009 on Sugar Hill. While retaining the honesty of songwriting and sense of tradition that permeated her earlier releases, Borges bid adieu to the confines of Americana with free-spirited abandon and an almost punk-influenced grit and growl, a six-string salute from a woman who continues to defy classification and push musical boundaries at every turn.
Wednesday, March 21 / 8-10pm / No cover
Welcome to Lager House Pub Quiz on their new night! The finest prizes and the best trivia questions in Detroit are still at the Lager House Pub Quiz.
Monday, March 19 / 8pm doors, 9pm music
Nina Sofia (of Nina & the Buffalo Riders — Psych/Blues/Rock)
Nina Sofia of Nina & the Buffalo Riders: “Catch them now before they go supernova. The band’s sound is bluesy and psychedelic while Nina Sofia’s powerhouse vocals are soon to be classified one of the seven wonders of the Midwestern world” (Metro Times).
“The passionate vocals of Nina Sofia which when accompanied…gave the crowd a musical stew that hinted at influences by The Grateful Dead, Tedeschi-Trucks Band, and Janis Joplin” (Chuck Marshall -National Rock Review).
Since their formation in early 2013, “Nina and the Buffalo Riders have been steadily building a following in Detroit with music that aches with soul and burns with the heart of rock” (Chuck Marshall – National Rock Review), playing prime time slots at Detroit Winter Blast 2016 & 2017; Showcase D’Holidays 2015; Arts Beats and Eats Royal Oak 2015 & 2016; opening for Detroit’s own Sponge at the Allen Park City Art and Music Festival in 2013, 2014, and 2015; the Metro Times Blowout 2015, Hamtramck Music Festival 2016 & 2017; and the Ferndale City Pride Festival in 2014; headlining venues such as the Magic Stick Detroit; Short’s Brewing Company Bellaire; PJ’s Lager House Corktown; Blind Pig Ann Arbor; Hopcat Detroit; as well as direct support for national acts such as The Steepwater Band Chicago, Mike Leslie of Candelbox, and Detroit Classic Rock royalty Frijid Pink.
“In the sixties, they would have been referenced as a ‘tribal’ band because of their ‘hippie’ tendency. Nowadays, they just play good music and don’t have to worry about labels” (PhilMaq- Radio Personality at 89.3 WHFR).
Sunday, March 18 / 8pm doors, 9pm music $10
Jackie Venson (Indie/Blues)
Jackie Venson: It is legend that a blistering Jackie Venson guitar solo knocked Pluto straight out of planetary existence.
Venson’s “…astonishing mix of raw soul, superb musicianship and laid back grace…” (Austin American Statesman, June 2014) has been compared to the likes of Joss Stone, Amy Winehouse and fellow Austin native Gary Clark, Jr. Originally a classical pianist, Jackie picked up the guitar, shortly after graduating from Berklee College of Music, and made the giant leap from the tradition of classical music to the raw and gritty blues.
Enthralled with music since the age of 8, this young singer/songwriter/musician instantly captures your attention with a vibrant musical soul and passionate control of her instruments, that reach far beyond her tender age. As she mindfully blends Blues, Rock, R&B, Soul and more, with her introspective lyrics, the message is clear. When you’re listening to Jackie you hear the “Truth in Music”.
In recognition of her dedication to her craft, Bestfan.com said “Venson is no dilettante, wannabe performer, however a real staple of what a musician can achieve when they put in their 10,000 hours for both musical schooling, and late night pub sessions for practical honing.”
Her live performances revisits what makes music so powerful: emotion and passion. She thrives without the flash, instead favoring a clean sound, genuine soul, and meaningful connection with her audience. Music is not only what Venson does – but also defines who she is and reminds her where she wants to be: performing.
Having finished her second tour of Europe and the recent declaration of “Jackie Venson Day” (May 21st) in the “Live Music Capital of the World” Austin, TX, there’s no doubt she has every reason to lead the way with the trademark smile that accompanies her magnificent musicianship.
Saturday, March 17
Special 9am opening
Details to come!
Danny Kroha: As a founding member of minimal garage rock trio the Gories and a fixture in the Detroit rock scene since the early ’80s, guitarist/vocalist/songwriter Dan Kroha helped change the course of rock history with his one-of-a-kind playing and highly influential style. Kroha grew up in Detroit and took to music early on. By his teen years he was singing for local mod revivalist band Start, who would later morph into the Onset. After the Onset’s dissolution, Kroha formed the Gories in early 1986 with singer/guitarist Mick Collins and drummer Peggy O’Neill. The band made raw, powerful garage rock with rudimentary means, never amassing an enormous following in their time, but growing in popularity immensely after their 1992 break-up. Among many other bands, the White Stripes’ sound was particularly informed by the Gories’ less-is-more approach and their infusion of folk-blues and droning rock influences. The White Stripes’ Jack White would often cite the Gories as a key influence as his band rose to massive worldwide popularity, turning on new listeners to the long-defunct group. Following their break-up in 1992, Kroha played in Detroit rock group Rocket 455 for a time before forming cross-dressing garage pop sensationalist act the Demolition Doll Rods in 1994. The Doll Rods (as they came to be known) played for 13 years, releasing countless singles and touring the world before going on indefinite hiatus in 2007. Kroha led various bands in Detroit over the next few years, as well as playing solo. He played guitar and sang for swaggering trio the Readies, members of whom would sometimes merge with members of the Go in super group the Skies Above. In 2009, the Gories reunited for a handful of shows, further bolstering their legacy. At the beginning of the 2010s, Kroha returned somewhat to his R&B/early garage roots with new trio Danny & the Darleans. In this time he also released 2012’s The Folk Blues Stylings under his own name, as well as a 2013 collaboration with Gories bandmate Mick Collins where the two musicians created songs based around the poetry of legendary producer and sleaze rock personality Kim Fowley. In 2015, Kroha offered up the solo album Angels Watching Over Me on Jack White’s Third Man Records. The album featured a smattering of traditional folk, blues, and gospel tunes from the public domain as well as one original composition.
Timothy Monger: Michigan-based singer, songwriter, and multi-instrumentalist Timothy Monger first established himself as co-founder of seminal Ann Arbor folk-rock outfit Great Lakes Myth Society. In the mid-00’s the band earned a cult following rendering detailed art-pop with British folk undertones and a distinctly Midwestern rock sensibility. Concurrently, Monger’s solo career extended as a natural outgrowth with the chamber pop of 2004’s Summer Cherry Ghosts to the more rustic tonality of 2011’s The New Britton Sound. His third album, Amber Lantern, melds subtle synth textures with elements of psych, folk, and jangling power pop.
Andy Dale Petty: How far can a banjo take you? As long as there are young men who in their heart and spirit combine an open mind with a feeling for history and a lust to wander the country to see what the people really want, it can take you pretty far. Across a continent and down a century or two, if you let it. Andy Dale Petty is exactly such a person as described above. He picks his banjo and starts to ramble the country and life around him in increasing perimeters. He meets love, fun, joy and happiness, but also hardship, pain and loss. He sees the preachers talking about sin and salvation, he hears the country stars and the rock stars sing about wide variety of things, he hears the politicians of various colours talking their slang, but most of all he hears the stories the people tell. And at night he listenes to the sounds of nature. Unlike William Elliott Whitmore, the other young man who rambles the country with a banjo, he does not carve out a niche all of his own, but he collects the scraps and records of others and builds his world from there. Which makes his world a lighter, better and warmer place to live in.